Feast of Astonishments Opening Program: Riana Anthony Performs Morton Feldman

  Morton Feldman’s “Projection One” (1950), performed by Riana Anthony, Northwestern University’s Bienen School of Music, Master of Music, Class of 2017. The piece explores categories of pizzicato, arco and arco-like ponticello, as well as harmonics. It was written on graph paper with the pitch range of the instrument indicated in boxes inside larger boxes, […]

Feast of Astonishments Opening Program: Myrtil Mitanga Performs Nam Jun Paik

Nam Jun Paik’s “One for Violin Solo” (1962), performed by Myrtil Mitanga, Northwestern University’s Bienen School of Music, Class of 2017. The piece undermines clichés of the classical music genre through an unanticipated gesture. Charlotte Moorman, who valued drama, humor, theatricality, and subversion in her work, was drawn to the ceremony of the piece, as […]

Feast of Astonishments Opening Program: Drake Driscoll Performs John Cage

John Cage’s “Cello Etude Boreales, no. 1” (1978) performed by Drake Driscoll, Northwestern University’s Bienen School of Music, Class of 2018. The pieces was created using star charts from the Atlas Borealis as a source of randomness. Cage traced the star maps and then used additional chance operations to determine, with painstaking precision, the specific […]